十八世紀の江戸絵画（板橋区立美術館） Edo Paintings in 18th Century (Itabashi Art Museum)

板橋区立美術館の収蔵品による、十八世紀の江戸絵画の展覧会。

展示は、英一蝶とその一門、沈南蘋の影響、秋田蘭画と司馬江漢、そして狩野派と肉筆浮世絵が、という4つのコーナーの分かれていた。

特に、普段はあまり目にする機会の少ない、小田野直武らの秋田蘭画の何点かの展示は楽しめた。

この展覧会は、撮影が可能だったので、他に印象に残った作品を紹介しよう。

狩野探幽が、東大寺の縁起絵巻を模写した探幽縮図。探幽の貪欲な知識の収集力と、的確に対象を写し取る、絵師としてのセンスがうかがえる。

江戸の中期において、狩野派の画風を時代に合わせてより親しみやすいものにした、狩野典信の唐子遊図屏風。

明確で太い線と鮮やかな色使いで、唐子たちが嬉々として遊ぶ様子を、見事に表現している。

同じく狩野典信の大黒図。現代のマンガやイラストレーションに通じる、シンプルでわかりやすさが狩野典信の魅力だ。

加藤信清の五百羅漢図。府中の身分の低い役人だった加藤信清は、自ら進んで五百羅漢図を描き、寺に収めたという。

パステル調の色使いと、個性的な羅漢の表情が印象的だ。

By Itabashi Art Museum collections, exhibitions of Edo painting of the eighteenth century.

Exhibition, Hanabusa Iccyou and its clan, the influence of Shen Quan, Akita Ranga and Shiba Kokan, and Kano and Nikuhitsuga is, was divided in four corners that.

In particular, usually less opportunity to make much eye, and enjoyed the several points of exhibition of Odano Naotake these Akita Ranga.

This exhibition, because it was possible shooting, trying to introduce the works that impressive to others.

Kanō Tan'yū is, Tanyu microcosm that replicate the auspicious picture scroll of Todai-ji Temple. And collection force of greedy knowledge of Tanyu, accurately capture the target, suggesting a sense of as a painter.

In Edo medium-term, it was to those familiar more with the times the painting style of the Kano school, and Playing Chinese Children folding screen of Kano Michinobu.

In a clear and bold lines and bright colors, the manner in which Karako we play gleefully, I have beautifully expressed.

Daikoku diagram of the same Kano Michinobu. Leading to modern manga and illustration, but the charm of simple clarity is Kano NoriShin.

Five Hundred diagram of Nobukiyo Kato. Fuchu of Nobukiyo Kato was low officials such status is, to draw a Five Hundred diagram is voluntarily, that was housed in the temple.

And colors of pastel, expression of unique Arhat is impressive.

(Translated by Google Translate)